9/6 Course Syllabus & Introductions

 

9/8 What is Identity?

READ: Chris Weedon, “Chapter 1: Subjectivity and Identity,” from Identity and Culture: Narratives of Difference and Belonging.

 

9/13 How We See and Look (at Identity)

READ: Sherry Turkle (ed.), “Introduction: The Things that Matter,” in Evocative Objects: Things We Think With.

 

9/15 How We See and Look (at Identity)

READ: Rosemarie Garland-Thomson, “Why Do We Stare?” and “What is Staring?” and “Chapter 6: Regulating Our Looks,” from Staring: How We Look.

  • (background) Nicholas Mirzoeff, “How to See Yourself,” from How to See the World: An Introduction to Images, from Self Portraits to Selfies, Maps to Movies, and More, 29-70.
  • (background) T. Benjamin Singer. “From the Medical Gaze to Sublime Mutations: The Ethics of (Re)Viewing Non-Normative Body Images,” in Stryker & Whittle, The Transgender Studies Reader (2nd ed).

 

9/20 Looking at the Construction of Gender

SCREEN: No Dumb Questions (Regan, 2001, 24’)

READ: Judith Lorber, “The Social Construction of Gender.”

  • (background) Linda Alcoff, “Introduction: Identity and Visibility,” from Identities: Race, Gender, and the Self, 5-10.

 

9/22 Looking at the Construction of Gender

READ: Sigmund Freud, “Femininity.”

Questions/Prompts to consider:

  • Freud begins his lecture by addressing his audience as “ladies and gentlemen,” but why does he go on to say “to those of you who are women this will not apply—you are yourselves the problem” (113)? Or, in different words, why are women “the problem” Freud has decided to address?
  • While Freud’s lecture is about femininity, is he primarily writing about gender or sex? (Be sure to support your selection.)
  • Freud states: “It seems that women have made few contributions to the discoveries and inventions in the history of civilization; there is, however, one technique which they have invented—that of plaiting and weaving” (132). What is this invention? Why does Freud suggest this invention is culturally significant (especially for women)?

 

9/27 Looking at Women & Femininity

READ: E. Ann Kaplan, “Is the Gaze Male?

  • (optional) Laura Mulvey, “Visual Pleasure and Narrative Cinema.”
  • (background) Kaja Silverman, “Male Subjectivity and the Celestial Suture.”
  • (background) Mary Ann Doane, “Film and the Masquerade: Theorizing the Female Spectator.”

 

9/29 Looking at Men & Masculinity

READ: Susan Bordo, “Reading the Male Body.”

  • (background) Steven Cohan, “Tough Guys Make the Best Psychopaths.”
  • (background) Steve Neale, “Masculinity as Spectacle: Reflections on Men and Mainstream Cinema.”

 

10/4 Looking at the Construction of Gender

DUE: Topic Paper #1

 

10/6 Looking at the Construction of Race/Whiteness

CLIPS: Suture (McGehee & Siegel, 2003, 96′)

READ: Sara Ahmed, “A Phenomenology of Whiteness.”

  • (background) Linda Alcoff, “Chapter 8: Racism and Visible Race,” from Identities: Race, Gender, and the Self.
  • (background) Richard Dyer, “White.”
  • (background) Jane Gaines, “White Privilege and Looking Relations: Race and Gender in Feminist Film Theory.”
  • (optional) Stuart Hall, “The Whites of Their Eyes” in Dines & Humez, fourth edition.
  • (background) Peggy McIntosh, “White Privilege: Unpacking the Invisible Knapsack.”

 

10/11 Looking at the Construction of Race/Blackness

VIEW(outside of class): Precious: Based On the Novel ‘Push’ By Sapphire (Daniels, 2009, 109’) The film is available to rent/buy on Amazon and iTunes.

READ: Frantz Fanon, “The Fact of Blackness,” from Black Skin/White Masks

  • (background) Manthia Diawara, “Black Spectatorship: Problems of Identification and Resistance.”
  • (background) Alessandra Raengo, On the Sleeve of the Visual: Race as Face Value.

 

10/13 Looking at Sexual Bodies

SCREEN: Blow Job (Warhol, 1964, 27’) ; Removed (Uman, 1999, 7’)

READ: Ara Osterweil. “Andy Warhol’s Blow Job: Toward the Recognition of a Pornographic Avant-garde,” in Linda Williams(ed.) Porn Studies, 431-460.

 

10/18 Seeing Beyond Binaries: Gender Performativity & Sexual Orientation

READ: Judith Butler, “Imitation and Gender Insubordination.”

DISCUSS: Martin Rochlin, “The Heterosexual Questionnaire

Questions/Prompts to consider:

  • Butler uses the phrase “a provisional totalization of this ‘I'” in reference to herself. Why is the “I” provisional/temporary; or, why does she suggest we can’t use “I” as a personal pronoun in a totalizing, determined way?
  • Butler suggests that “heterosexuality…is always and only an imitation of an imitation, a copy of a copy, for which there is no original” What does Butler mean by arguing heterosexuality operates as a “copy” without an “original”?
  • What does Butler mean when she uses the term “repetition” to describe gendered behavior (and the performance of gender)?

 

10/20 Seeing Beyond Binaries: HIV/AIDS & Virality

READ:

  • Susan Sontag, “AIDS and its Metaphors,” in Davis (Ed.), The Disability Studies Reader, 153-157.
  • Akira Lippit, “Out of the Blue (Ex Nihilo),” from Ex-Cinema: from a Theory of Experimental Film and Video, 15-37.
  • (background) Nicholas Mirzoeff, “Blindness and Art,” in Davis (Ed.), The Disability Studies Reader.

 

10/25 Seeing Beyond Binaries: Queerness

READ: Nikki Sullivan, “Queer: A Question of Being or a Question of Doing?” in Critical Introduction to Queer Theory.

 

10/27 Seeing Beyond Binaries: Transgender/Transexuality

VIEW: Her Story (Freeland, 2016)

 

11/1 Seeing (Digital) Identities

READ:

 

11/3 Transitions and Transformations of (Digital) Relationships

READ:

 

11/8 Transitions and Transformations of (Digital) Relationships

DISCUSS: OKCupid Case Study (Website Discourse Analysis / “Affordances”)

READ: Dale Markowitz, “Kink is More Popular Than You Think,” OKCupid, April 2017

  • (background) Christian Rudder, Dataclysm: Who We Are* (*When We Think No One’s Looking).

 

11/10 NO CLASS

 

11/15 Beyond Binaries of Race & Sexuality

DUE: Topic Paper #2

 

11/17 Visualizing Identity — Assignment Workshop

 

11/22-11/24 NO CLASS — Thanksgiving Break

 

11/29 Transitions and Transformations of (Digital) Relationships

READ: Michael Cobb, “Introduction: Bitter Table for One,” from Single: Arguments for the Uncoupled.

 

12/1 Identities in Crisis: The “Non-Human” as a Challenge to Human Subjectivity and Identity.

SCREEN: Air Doll (Kore-eda Hirokazu, 2009, 125’)

READ: Kristopher L. Cannon, “Ec-Static Air: The Unseeable Sounds of Being Beside Oneself.”

 

12/6 Identities in Crisis: The “Non-Human” as a Challenge to Human Subjectivity and Identity.

SCREEN: Air Doll (Kore-eda Hirokazu, 2009, 125’)

 

12/8 Visualizing Identity Assignment Due

DUE: Visualizing Identity Assignment (submitted on Blackboard by 5:00pm)